Here's part 2 of 3 of the 5DUEL.
This part of the 5D vs 5Duex comparison will center around metering and light.
All of the pictures you see here are straight out of the cameras
with NO CHANGES made in Photoshop aside from resizing for the web
and insetting 100%zoom detail areas.
I shot in jpg so that I wouldn't have to do anything to the images before I showed them to you.
I shoot in Av mode 90% of the time at my sessions.
That means I set my f/# and the camera chooses a shutter speed for me.
For the 5Duel, I wanted to shoot just like I do at a normal session,
so I shot in Av mode, mostly at f/2.8.
I'd love to do another 5Duel and shoot in manual mode, but that will have to wait!
(Isn't it true how there's always SOMETHING MORE we want!?)
I always love how my old 5D never blows out bright whites on the beach.
When I got the 1D Mark III a while back, it did not handle whites in full sun as well as the 5D,
so I was really curious to see how the 5Duex would handle bright whites at the beach.
I want a camera that will still let the viewer see detail & texture in white fabric.
If I can see that texture in full sun pictures, I'm a happy camper.
If it's so blown out that the texture is gone, and all I see is bright white, unhappy camper.
Here's a shot from the old 5D:
Here's the same shot with a close-up on Tao-Tao's waistband
(white fabric with lots of texture & eyelets & creases)
You can see in the histogram that nothing got blown out.
In fact, it was a little under-exposed, but that's OK with me.
It would be better to have the end of that "hump" go all the way to the right of the chart,
but this result is better than having all of the white blown out with no detail left.
Here's the shot from the 5Deux:
and the detail of her white pants with the histogram:
There are no blown whites! YAY! The histogram comes to the right edge
of the chart, which is better than the old 5D.
The 5Deux chose a much slower shutter speed, letting in more light,
making the picture brighter, but still not blowing out those whites.
I was using the "evaluative" metering mode, which told the camera to consider the entire
scene and not just the middle/center. That's what I use when I want to be sure to
get the bluest blue in the water and the sky.
Here are two shots where I switched to "center weighted metering,"
which means the camera chose a shutter speed based on the center of the image
and not as much of the background.
You can tell which image is from the old 5D vs the 5Deux.
I love how the 5Deux lets in so much more light, letting their faces light up.
Zak & Jack were backlit for this shot, so I zoomed in.
I put the sun to their backs so they wouldn't have to squint,
and I set the camera to center-weighted metering because I didn't give a rip
about the background being blown out.
With images like this on the old 5D, I have had to do a lot of work in Photoshop,
raising the exposure a bit, probably using some Kubota fill flash, and adding contrast.
I would probably do the same for that image out of the 5Deux,
but I definitely wouldn't have to do as much, which I like!
One more metering example... a detail shot of the sandcastle fort:
(evaluative metering)
You can see that the 5Deux let in a lot more light with a slower shutter speed
and the histogram goes all the way to the edge -- NICE!
The tonal range in that 5Deux image is a lot better than the old 5D.
On its own, the picture from the old 5D is very sweet.
side note:
The histogram from the old 5D shot shows under-exposure,
but remember that some of the most artistic & breathtaking photographs
have histograms that would make you cringe.
That perfect histogram curve isn't the end-all-be-all of a perfect picture, that's for sure!
Sometimes you have to know the rules so you know how far you can bend them!
I still like the sand castle picture from the 5Deux better, though!
The verdict:
I like how the 5Deux meters more than the old 5D.
But I really want to do another duel shooting in MANUAL so I can compare
shots with the exact same exposure settings.
UP NEXT: Part 3, FOCUSING ... stay tuned ...
~Carey